Friday 8 March 2013

...Recommend: MULHOLLAND DRIVE


MARCH'S NOIR FILM RECOMMENDATION:


Mulholland Drive


 As today is International Women's Day, I thought I would recommend a film with (definitely at least one) female protagonist, and in particular one whose females characters weren't either one dimensional, romantically obsessed or simply eye-candy. Film noir is full of powerful females, from Norma Desmond to Kitty Collins, all of whom are capable of manipulating men for their own needs. Neo-noir can be braver still, focusing most of the story on women without their roles always being respective to men, as earlier noir tended to. Mulholland Drive is not a comfortable or easy film to watch or understand, BUT it does contain some very complex yet spirited women, and explores women's relationships with both themselves and other females. Naturally, this film also passes the Bechdel Test* with flying colours.
 David Lynch is one of those names you recognise, but probably have had little actual experience of his work.   The majority have encountered Lynch, if at all, through The Elephant Man; a beautiful and accomplished film, but very different to his usual work. It would be like watching Bad Taste** and assuming that all of Peter Jackson's films would be of the same ilk, including The Lord of the Rings trilogy. Mulholland Drive was my first foray into what you might call 'proper' Lynchian films, and I've learnt it's best to be prepared. This makes Inception look as linear as a Jennifer Aniston rom-com. To enjoy this film, or even begin to comprehend it, you must treat it as a dream; symbolic, with images contributing to an idea as a whole, rather than as a traditional narrative. Like a dream, seemingly disparate elements are juxtaposed next to scenes which seem to further the 'known' plotline (i.e. the synopsis you read on the back of the DVD case). It is tempting to let the other odd scenes that don't include 'Betty' or 'Rita' glide over you, whilst you focus on puzzling out their story, but try to  watch it all, joining up dots where you can, rather than trying to force an answer out of it. Enjoy the dream-like experience, and connect with the emotions and the characters first and foremost; you can puzzle what it was over afterwards. When you're re-watching it.
 Also, if you find yourself watching in fear from behind a loved one after the first 'Winkies' encounter, pause it, go get a cup of tea and perhaps a bourbon, then CARRY ON WATCHING. It's fine, you don't see anything again for a good while, and you'll be absorbed by then. The film was designed to be watched in one go, and I highly recommend you view it thus. Just like I did... *ahem*.
 Naomi Watts and Laura Harring completely sell what could have easily otherwise become cold, strange and incomprehensible film, alienating the audience too much and preventing them caring about the characters. This is thankfully avoided by the fantastic chemistry between these two actresses, with 'Betty's' moving audition scene being a stand out moment. The subtle nuances in their acting choices help the film move believably through its fractured narrative, which is no mean feat. The fact that we are left feeling so desolate and betrayed at the denouement is testament to the wonderful performances the leading ladies give. Many people dislike this film, feeling it to be pretentious and deliberately obtuse, but you simply cannot fault Watts and Harring.
 Mulholland Drive isn't for everyone, and I don't expect Lynch intended it to be. However, it is the only time I have ever watched a film that truly succeeded in capturing the experience of dreaming, and for that and it's wonderful acting alone, it is worth attempting to watch. If nothing else, it makes you think, and I guarantee that heated discussion as to its meaning (if it has one), and its actual plot (if it has one) will ensue after consumption. Watch it if you can, and then, watch it again. It's an experience.





*In order to pass the Bechdel test, the film (or TV show) must meet all the following criteria:
  1. It includes at least two women
  2. Who have at least one conversation with another woman
  3. About something other than a male/s
It's scary how many famous films DON'T pass this simple test.


**Give it a try if you haven't, it's great fun if nothing else. Be warned, it stars Jackson and his mates, and most of the props and costumes are home-made...



You might like if you enjoyed:
Sunset Boulevard, Black Swan, Inland Empire, Eraserhead, Blue Velvet

Directed/Written by: David Lynch

Year: 2001


Starring: Naomi Watts, Laura Harring, Justin Theroux, Ann Miller


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